The Recording Academy is more than the force behind the GRAMMY Awards; it's the leading society of music professionals.

On stage at Music's Biggest Night and throughout the year, the Academy is dedicated to highlighting the work of creatives throughout the music industry. Regardless of profession — artist, executive, publicist, crew, producer, engineer or songwriter — the Recording Academy celebrates everyone's contributions to the musical landscape. 

Through its DREAM initiative (Diversity Re-imagined by Engaging All Musicmakers), the Academy emphasizes and recognizes the contributions of the diverse global music community. The DREAM initiative — which includes the Indigenous People's Network, Gold Music Alliance and Black Music Collective — aims to serve traditionally underrepresented or overlooked groups, genres, and musical ecosystems across the industry. This work is not done in isolation or during "tentpole" months; it's a daily and longitudinal effort that's at the foundation of everything the Academy does. 

To wit, the Recording Academy is invested in expanding its membership to reflect a diverse and dynamic music industry landscape. While there is always more work to be done, the Academy invited 3,900 people to join its 2024 Member Class; 45 percent of those invitees were women, 57 percent people of color, and 47 percent were under the age of 40.

While all of the above represent a significant step toward inclusivity and representation within the music industry, celebrating the achievements of its membership and affiliates remains incredibly important. In sharing and extolling their successes, GRAMMY.com honors the joy of expression and the fullness of lived experience. 

While Black Music Month is coming to a close, learn about six Black music industry professionals who are doing incredible things — both within the Recording Academy and outside of it. 

Ruby Amafu

Former Nashville Chapter President, Songwriter & Composer Wing Leadership Councilmember

Ruby Amanfu is a Ghana-born, Nashville-based GRAMMY, Soul Train and BET Award nominated songwriter, recording artist, and producer. Having written and recorded music since her teens, Amanfu has released solo studio albums and her songs have appeared in shows such as "The Morning Show," "Station 19," "Little Fires Everywhere," "Love is Blind," "Pretty Little Liars," and in films such as The Secret Life of Bees and The Photograph.  

She co-wrote two GRAMMY-nominated Songs Of The Year: "Hard Place" for the artist H.E.R. and "A Beautiful Noise" for Alicia Keys and Brandi Carlile. Amanfu was featured on Taj Mahal GRAMMY-winning duo TajMo's second album, Room on the Porch,  co-writing their title track. On Beyoncé's GRAMMY-winning album, Lemonade, Amanfu created and recorded the operatic vocals that appear on "Don't Hurt Yourself." She also appears on Norah Jones' Pick Me Up off the Floor and on Jack White's solo LPs; Amafu performed her collaboration with White, "Love Interruption," at the 2013 GRAMMYs.

Outside of her vast musical career, Amanfu is a community leader, chef, wife and stepmother.

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

When I was contacted by an artist in Nigeria named Dreyvon. He had heard a previously released song of mine called, "Beautiful, You Are" in an ad, and it inspired him to write a lyrical response. He DMed me on Instagram and asked me if I would allow him to release his version of my song. 

After I heard his verses, I not only approved the song's release, but I made it a full on collaboration. He is a worthy up and coming artist, and all I could think about were the artists ahead of me whom I had met when I was coming up who let me stand beside them so that I could walk through the doors and into the rooms that I was worthy of entering. If I didn't have those other musicians in my life, I wouldn't be where I am today. Music is meant to be a gift, not something hoarded. Paying it forward is the embodiment of this craft for me.

What have you created or led that you feel most reflects your values or perspective?

When I was president of the Nashville Chapter of the Recording Academy, I focused on trying to make others feel seen and heard. I often shared my belief that there's room on the porch for everyone. 

Feeling belonging is not always a given for everyone, even speaking for myself personally. It has always been important for me to encourage connection amongst our creative community. Unfortunately, cliques don't end when we leave high school! I strive to be someone who celebrates camaraderie over competition, and I always will. 

Phylicia Fant

Global Head of Music Industry & Culture Collaborations at Amazon Music, L.A. Chapter Vice President, MusicCares Foundation Board of Directors member, BMC Leadership Council member

Phylicia Fant is renowned throughout the entertainment industry as a trusted leader, esteemed executive, and public relations/marketing visionary. But even more importantly, she is a conduit of culture. Fant consistently and strategically connects artists to brands, media, film/television opportunities and philanthropic causes. In her role as Global Head of Music Industry & Culture Collaborations at Amazon Music, she transforms global synergy into commercial opportunities while prioritizing meaningful cultural moments.

Since joining Amazon Music in February 2022, Fant has succeeded in connecting Amazon Music to Culture via culture collaborations, partnerships, and industry events. These successes included HBCU Homecoming sponsorships, GRAMMY roundtables, Beyoncé's Club Renaissance merch popup, and talent collaboration with the likes of Lucky Daye, Usher, Jon Batiste, NBA Young Boy, Andra Day, Keke Palmer, and Omar Apollo. 

Prior to joining Amazon Music, Fant served as Head of Urban Music at Columbia Records and as Senior Vice President of Media & Strategic Development for Warner Bros. Fant has garnered a variety of honors, including the NAASC NY chapter Rising Star Award, Los Angeles NAASC chapter Sister's Awards Alumnae Honoree, HBCU Power Award, She is the Music 2025 Honoree, and many others.

Learn more: At GRAMMY House NYC, Women Shape The Future Of Music

Fant's formidable reputation regularly puts her on industry power lists. The Living Legends Foundation recognized Fant as a "Hero Behind The Culture" for Black Music Month and was honored as an Ambassador of Peace by Creative Community for Peace in 2024. 

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

Welcoming the legendary George Clinton to the Amazon Studios. As a legacy artist and GRAMMY nominee, his presence alone was powerful — but what truly stood out was his resilience, creativity, and enduring impact on culture. It was an inspiring reminder of why we do what we do: to honor artistry, amplify iconic voices, and create spaces where music history and innovation can intersect.

What have you created or led that you feel most reflects your values or perspective?

I'm incredibly proud to have led the HBCU Homecoming activation with Big Sean during Amazon Music Live, our livestreamed concert series after Thursday Night Football. Seeing this celebration of HBCU Homecoming — something that meant so much to me personally and helped shape who I am — being live streamed to millions was surreal. It was a celebration of culture, legacy, and excellence, and it showed our dedication to honoring the past while investing in the future.

Are there other Black creators — either in your field or the larger industry — who inspire you?

Black creators represent a wide and brilliant spectrum. From musicians like Pharrell reimagining the Met Gala, to stylists like Luxury Law pushing the envelope and uplifting the fashion community, to visionary filmmakers like Ryan Coogler and his powerful work on Sinners, to Beyoncé and her boundary-breaking Cowboy Carter visuals, each one reflects the depth, creativity, and cultural influence of Black artistry. They remind us that Black creators not only belong at the center of the conversation, but that we continuously push boundaries, redefine excellence, and show the world just how valuable we are.

Shannon Sanders

Executive Director of Creative at BMI, Songwriter, Former Nashville Chapter Trustee

Shannon Sanders serves as the Executive Director of Creative at Broadcast Music, Inc. (BMI) in Nashville. In this role, he signs and develops top talent while supporting BMI's songwriters and publishers. He fosters both emerging and established songwriters through educational programs, networking, and showcase events.

With over 25 years in the music industry, Sanders is a three-time GRAMMY, two-time Emmy, and Dove Award-winning songwriter/producer. He founded and served as Program Director of Nashville's 102.1 The VILLE, a radio station dedicated to classic soul, R&B, and local artists. He has been co-musical director for India.Arie and the Fisk Jubilee Singers. In 2024, Sanders received the Academy of Country Music's Lifting Voices Award.

A respected industry advocate, Sanders is active in organizations like the Recording Academy and Leadership Music. He also sits on the boards of the Nashville Convention and Visitors Corporation, the Country Music Association, and the Academy of Country Music and National Museum of African American Music. In 2016, Black Enterprise named him one of its 100 Modern Men of Distinction.

An alumnus of Tennessee State University, Sanders was inducted into its Hall of Fame for Distinguished Alumni.

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

Recently, I had the privilege of speaking to a group of students from my alma mater, Tennessee State University. They were part of the BMI Catalog Cast program, which provides college students with hands-on experience in music publishing and song plugging before they graduate. I felt incredibly proud to share the knowledge and experience I've gained over the years. I always say I want to be the person I wish I'd had early in my own career: a mentor who could offer guidance and insight. It was deeply rewarding to give those students the information and support that would have served me so well when I was in their shoes. 

Are there other Black creators — either in your field or the larger industry — who inspire you?

I am tremendously inspired by the career and legacy of Quincy Jones. He was both an incredible creative force and a phenomenal executive who seamlessly integrated creativity into business — and business into creativity — always prioritizing what mattered most: the art and the people who make it.  

What have you created or led that you feel most reflects your values or perspective?

Celebrating Fisk! (The 150th Anniversary Album) by the Fisk Jubilee Singers, which won the GRAMMY for Best Roots Gospel Album (2021 GRAMMYs). Producing this album allowed me to honor and preserve Fisk's rich musical heritage while pushing creative boundaries. It perfectly aligned with my commitment to celebrating culture and elevating underrepresented voices. It was especially meaningful to make history by helping Fisk become the first HBCU to win a GRAMMY Award.

Question ATL

Rapper/producer, Cofounder of RAMP'D, Atlanta Chapter Member

QuestionATL is a blind rap artist and producer. He is self-taught on several instruments, began freestyling at age 5 and making beats at 11. He's a 20-time beat battle champion and has produced for several artists. QuestionATL recently released his debut project, The Dream, and continues to collaborate with fellow artists and producers.

QuestionATL releases music in hip-hop subgenres such as drill and cloud rap, as well as other genres like hyper-pop. He is a member of the Recording Academy Atlanta Chapter. QuestionATL is a founding member of the musical professionals coalition RAMP'D (Recording Artists and Music Professionals with Disabilities) and is a member of the nonprofit Soulfood Cypher, which teaches youth communication through freestyle rap. He leads an international collective of other blind artists and producers called Blind and Famous, who have released several projects together on their YouTube channel. QuestionATL has also recently found a niche in freestyling for corporate and private events.

Learn more: Meet Question, A Rapper/Producer Who Doesn't Want To Be Boxed In By Blindness

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

I very recently got to travel and work with a respected producer of Lil' Uzi Vert, Bankroll Fresh, and other prominent artists in my scene and was able to do this off of my own merit and funding. As a blind, Black man it's very invigorating to be recognized in such an official way.

What have you created or led that you feel most reflects your values or perspective?

I'm honored to have cultivated and led a collective of blind artists and producers, Blind and Famous, that continuously innovate the sound of trap music. Being in this position is empowering to me and future generations of blind musicians by giving us a vehicle to express our talent and ability to compete and contribute meaningfully.

Are there other Black creators — either in your field or the larger industry —– who inspire you?

My whole voice and perspective is built on the shoulders of Black culture and creativity so it's hard to narrow down the list of who inspires me. Tupac has always been my favorite rapper and entertainer because of his success and charisma. I aspire to be the modern day Quincy Jones of my generation. Building with other Black disabled artists like Lachi has inspired me to realize my dreams in a much more major sense.

Matt B

Singer/Songwriter & Producer; L.A. Chapter Member

GRAMMY-winning singer/songwriter and producer Matt B was born and raised in Chicago, and has dedicated his life and career to bridging the gap between the United States and Africa. He released his Japanese debut album LOVE & WAR in 2014, which topped the Japan iTunes R&B Charts. His sophomore album, DIVE, released in 2016, also hit No. 1 on the Japan iTunes R&B Charts. After reaching critical acclaim in Japan, Matt's imprint continued to spread overseas. His single "Color Blind" went viral in China.

Matt B signed with Priority Records in 2017;  his debut U.S. album, EDEN, ranked No. 3 on the U.S. iTunes R&B Albums Chart and debuted in the Top 40 on Billboard's R&B Albums chart.  His 2022 single "Gimme Love" was nominated at the 2023 GRAMMYs — Uganda and East Africa's very first nomination. Matt B's ALKEBULAN II earned his first golden gramophone in the Best Global Music Album Category at the 2025 GRAMMYs. This historic win also marked the first GRAMMY to be won by the world renowned Royal Philharmonic Orchestra and the first GRAMMY win for all of East Africa, specifically Uganda.

As an active Voting Member of the Recording Academy's Los Angeles Chapter, Matt has also dedicated his time to advocating to protect the rights of music creators. Each year, he meets with members of Congress to discuss current laws and how they are impacting the music community. Matt aims to continue utilizing his growing influence to break through glass ceilings and inspire positive change across the globe.

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

Winning my very first GRAMMY Award has been one of the most fulfilling and impactful moments in my career thus far. I created this album as a way to honor my African heritage, connect Africans with African Americans, and effectively bridge the gap between Africa and the United States.

My hope was to create a body of work that would spark a curiosity in listeners that would lead them to research their own ancestry, learn more about Africa, and eventually visit the Motherland. I brought in creatives from all walks of life and at any stage of their careers to partake in bringing this vision to life, many of whom are upcoming artists, songwriters, and producers from Africa. It was incredible to see so many people of different backgrounds come together to honor Africa and our ancestors in such a beautiful way. So when the album was called as the winner of music's highest honor…words truly cannot express how I felt in that moment. 

This GRAMMY win serves as an eternal reminder that it is deeper than the recognition. It is about impact. It is about positively influencing the culture in the right direction. It is about giving back and shining a light on our people and their stories. I am honored to carry this torch, and I am excited to keep on bulldozing a path for independent artists to follow their dreams and do what they are passionate about. No dream is too big.

What have you created or led that you feel most reflects your values or perspective?

Over the last six years, I have been on a journey of self discovery and reconnection with the ancestors. I have shifted my focus as an artist towards creating music that impacts our world in a positive way and reflects the legacy that I want to leave for my family. During this shift, I found myself drawn to the energy that lies in Afrobeats, Amapiano, and other styles of traditional African music.

ALKEBULAN translates to "mother of mankind" or "garden of eden"; it is what is believed to be the ancient, Indigenous name for Africa prior to its colonization centuries ago. Naming the series ALKEBULAN is my own small way of honoring our history and giving back the name that was taken from us. These albums are a celebration of their resilience, sacrifices, and love that is deeply rooted throughout history, and I want to always do my part as an artist to make sure that they are honored and never forgotten. 

Are there other Black creators – either in your field or the larger industry – who inspire you?

As a native to the Southside of Chicago, I have to of course mention the maestro himself, Quincy Jones. I also respect the incomparable Berry Gordy, an absolute force of a producer, executive, and creative. His work with pioneering Motown profoundly altered the landscape of R&B, soul, and pop music. The work of Quincy and Berry shattered glass ceilings and broke down doors for so many of us to be successful. Instead of complaining about not having a seat at the table, they made their own tables and invited all of our people to join the party. I have an enormous amount of respect for them and so many more of our greats: Michael Jackson, Stevie Wonder, Sam Cooke, Marvin Gaye. I hope to have the opportunity to create music that withstands the test of time like so many of these legends. 

Kenyon Dixon

Recording Artist, L.A. Chapter Member

Three-time GRAMMY-nominated artist Kenyon Dixon continues to champion modern R&B, offering a sound that is both alive and thriving. The emerging songwriter has worked with a range of artists — from R&B legends Mary J. Blige, Tyrese and Ginuwine to pop superstar Justin Timerblake — and has still managed to reserve some ink for his own catalog of timeless music. Having toured as a supporting vocalist for Nick Jonas, Jill Scott, Kelly Rowland, Kirkland and others, the proud Los Angeles native has smoothly transitioned to center stage.

Following the release of his 2021 LP Expectations, which garnered a tremendous amount of support from the industry elite including Ledisi (who Dixon supported on her WILDCARD tour), he later collaborated with PJ Morton & BJ The Chicago Kid to pay homage to Sam Cooke on a remake of his classic "Bring It On Home To Me." The collaborative effort landed the trio (accompanied by guitarist Charlie Bereal) a nomination for Best Traditional R&B Performance at the 2022 GRAMMYs. In addition, his 2023 single "Lucky" earned Kenyon his first GRAMMY nomination as a solo artist, for Best Traditional R&B Performance. At the 2025 GRAMMYs, Dixon received his second solo nomination in the Best Traditional R&B category for the lead single "Can I Have This Groove," from his project The R&B You Love: Soul of the '70s

Dixon has continued to shine as a trusted collaborator. He penned records for Justin Timberlake ("Keep Going Up"); earned an arrangement and vocal production credit for Coco Jones' "ICU (remix)," and took on a leadership role as the music director for Revolt TV's "The Link Up II." His latest release, a collaboration Terrace Martin, is out now. With his smooth and sultry vocals, vulnerable lyrics and undeniable records, Dixon delivers standoutR&B with every release

What's a recent moment in your work that made you feel proud or reminded you why you do this work?

A recent moment that reminded me why I do this was somebody coming up to me and telling me how my music got them through one of the hardest times in their life. And honestly, moments like that have happened often but they never stop hitting. It's a reminder of how powerful music really is. To know that something I created helped somebody heal or became part of their most meaningful memories… that's what it's all about for me.

What have you created or led that you feel most reflects your values or perspective?

One of the things I've created that really reflects my values is an initiative called Rise & Relief. After the recent California wildfires, a few friends and I came together to raise funds and collect donations for families who lost everything. We used our creativity and community to provide some real support and healing.

That's what I stand for; giving back and using what I've been given to help others. I've always believed that what you sow into the world comes back, and that same belief shows up in my music. Purpose is everything to me, and this was one of those moments where it all aligned

Are there other Black creators — either in your field or the larger industry — who inspire you?

I'm inspired in some way by everyone and everything I encounter but as a Black creator, especially in the independent artistry space, there's something powerful about seeing others who look like me doing this work at a high level. I'm constantly inspired by friends like Jade Novah, Kevin Ross, and Eric Bellinger (to name a few), not just for their consistency and artistry, but for how they move with purpose. They're all parents too, which adds another layer to the way we have to navigate this industry. That kind of dedication hits different.

And of course, I'm forever inspired by the legends — Marvin, Anita, Al, Luther, Aretha… the ones who taught us what soul really is. As Black artists, we've always shaped the sound, the feeling, the standard of what art is. That's not lost on me. It's a legacy I carry with pride, and one I'm honored to build on in my own way.

Terri Lyne Carrington

Recording Artist, Producer, Artistic Director, New York Chapter Board Governor, Formerly on the Academy's Board of Trustees

Terri Lyne Carrington is a NEA Jazz Master, Doris Duke Artist, and four-time GRAMMY-winning drummer, composer, producer, and educator. She serves as founder and artistic director of the Berklee Institute of Jazz and Gender Justice. She has performed on more than 100 recordings, and has toured and recorded with Herbie Hancock, Wayne Shorter, Stan Getz, Esperanza Spalding, and many others. Carrington holds honorary doctorates from York University, Manhattan School of Music and Berklee College of Music. She has served on the Board of Trustees and the Board of Governors (NY Chapter) for the Recording Academy.

Learn more: Terri Lyne Carrington Is Making Strides For Inclusion And Mentorship In Jazz. And You Can Hear All Of Them In Her Sound.

This year she released the critically acclaimed album We Insist 2025!, a poignant re-imagining of Max Roach's Freedom Now Suite, which notably featured Abbey Lincoln. The highly celebrated album reflects upon the past, while challenging the present. It both honors Roach’s original masterpiece and furthers Carrington’s passion for using jazz as a tool for social activism.

What’s a recent moment in your work that made you feel proud or reminded you why you do this work?

I’d say when students or former students let me know how much I’ve touched their lives. I try to be a positive role model and mentor to many young musicians, and it makes my heart warm when they express the influence it has on them. And it gives me extra encouragement to continue working with young people.

Recently I played a show in Poland where I felt like it wasn’t my best playing and there was a young American drummer there named Michael Ode who let me know how much I touched him. He was so respectful and sincere and positive; it really made me understand the depth of intergenerational connections and why we teach, and the value of passing on what we know to others. There are some beautiful young people out there that really get it, who are not just in it for themselves or the fame and fortune of it all — as that may never come —  but for art and connecting to the humanity in others.

What have you created or led that you feel most reflects your values or perspective?

I try to be authentic with most everything I do these days. It’s taken some time coming to the point of having the courage to believe fully in myself, stand by my convictions and do what I know feels authentic to my life. It’s been challenging over the decades to know myself fully  because I’ve had to decipher what is real — from my core — and when assimilation is playing a role.

I started the Berklee Institute of Jazz and Gender Justice when the reality hit me that I needed to make space for other women that are dealing with the same thing. Then the journey began of understanding the intersection of my identities and the intersections in social justice causes. My artistry became so much more informed. My latest recording We Insist 2025!, co-led with Christie Dashiell,  strongly reflects my values. Though it reimagines a classic recording from 65 years ago, I was able to modernize it in a way that I’m proud of, in a way that allows today’s cultural, social and political conversations to emerge as well. So it feels like it represents where I am at this moment. I am also nearly done with the second edition of Social Science, a band that I put together that deals with social justice issues, and that music feels authentic and important at this juncture of where we are finding ourselves in America.

Are there other Black creators – either in your field or the larger industry – who inspire you?

Many, for varying reasons. I recently revisited my love for Joan Armatrading. She has always been a big inspiration for me, as a songwriter. Composing and songwriting are big parts of who I am artistically, so my inspiration tends not to be around drummers but people that I find inspiring in other areas. Composers like Henry Threadgil and Sylvie Courvoisier are inspiring.

I find inspiration in young artists like Willow Smith. She’s just 24 and is developing a nice sound, different and original. I’m excited to see/hear how she continues. Cecile McLorin Salvant is always inspiring. And of course my sister Esperanza Spalding as well. Kassa Overall is doing some great things and he’s been pretty prolific. People that work hard and keep expanding and transforming themselves are who I try to keep on my radar. And I haven’t even mentioned the many Black feminists scholars and writers and poets that inspire me greatly!

A dazzling assembly of living legends and young hitmakers shared the stage at the Beverly Hilton, where the 2026 Grammy Hall Of Fame Gala underscored the importance of preserving and celebrating transcendent recordings.

Eleven albums and three singles were inducted into the Grammy Hall Of Fame as part of this year's class. The inducted recordings span the many moods, shades and colors to be found across nearly a century of popular music: the angst-ridden alternative rock of Radiohead's OK Computer, the joyful bounce of Amor Prohibido by the late tejano icon Selena, the melancholic introspection of Nick Drake's initially underrated Pink Moon, and the defiant brilliance of 2Pac's All Eyez On Me.

Here are six of the most poignant moments from the 2026 Grammy Hall Of Fame Gala, which honored this year's class of inducted recordings.

The Sound Of Heart Is Truly Timeless

(L-R) Nancy Wilson and Ann Wilson of Heart perform onstage during the 2026 Grammy Hall of Fame Gala on Friday, May 08, 2026, at The Beverly Hilton in Beverly Hills | Photo: Emma McIntyre/Getty Images for The Recording Academy

In the summer of 1975, Seattle band Heart released its debut album, Dreamboat Annie — a majestic fusion of ragged arena rock and lilting folk textures. Fronted by singer Ann Wilson and guitarist Nancy Wilson, Heart were one of the first major women-led bands of the 1970s. Now 75 and 72, respectively, the sisters were in rare form at the Gala, delivering raucous versions of their hits "Magic Man," "Dreamboat Annie," and "Crazy On You." "Mike Fisher was the merman, the captain who set the course," Ann Wilson said as she received the honor, highlighting the artistic contribution of the founding member. "We were the original gypsy tribe," Nancy quipped. Their performance showed how their iconic first album has survived the test of time with grace.

There Would Be No Americana Without Lucinda Williams

Lucinda Williams accepts an honor onstage during the 2026 Grammy Hall of Fame Gala on Friday, May 8, 2026, at The Beverly Hilton in Los Angeles. | Photo: Emma McIntyre/Getty Images for The Recording Academy

Call it alternative country, bluesy roots music, or Americana. Regardless of classification, Lucinda Williams' Car Wheels on a Gravel Road remains one of the grand albums of the 1990s. Its soulful tapestry of thorny guitar licks and the singer/songwriter's passionate vocalizing ignited a new wave of interest in music that reflected the emotional soundscape of America. Backed by an enthusiastic house band, Williams had no trouble recreating the lethal mixture of ferocity and delicate sorrow found in the album's title track and the radio smash "Can't Let Go."

The Social Message Of Janet Jackson's Rhythm Nation 1814 Marches On

View this post on Instagram

A post shared by Good Morning America (@goodmorningamerica)

There was no need for Janet Jackson to perform any songs from her 1989 concept album Rhythm Nation 1814. Her moving speech, which had the capacity crowd hanging from every word, was more than enough. "Rhythm Nation still resonates," she said, accepting the album's induction alongside co-producer Jimmy Jam. "It's an ongoing force that fights bigotry and promotes understanding. It transcends all borders, nationalities and faiths." "I hope you hear my heart's desire when we first created this suite of songs," Jimmy Jam added. "The prayer driving [them] remains the same: that peace prevails."

Sometimes All You Need Is A Sultry Voice — And A Jazz Trio

View this post on Instagram

A post shared by GRAMMY Museum (@grammymuseum)

The second recipient of the Ray Charles Architect of Sound Award, singer/songwriter Norah Jones sang luminous versions of two Charles classics, backed by bass and drums: "Seven Spanish Angels" and "Hallelujah I Love Her So." Jones, who won two Grammy Awards, including the Grammy for Record Of The Year, for her 2004 duet with Charles on "Here We Go Again," spoke warmly about working with the legendary performer. "His music is everything to me," she said. "And I wouldn't be anything without listening to him."

Never Underestimate The Sacred (And Profane) Power Of Funk

George Clinton with Funkadelic perform onstage during the 2026 Grammy Hall of Fame Gala Friday, May 8, 2026, at The Beverly Hilton in Los Angeles. | Photo: Emma McIntyre/Getty Images for The Recording Academy

Perhaps the Gala's most indelible moment — and definitely the most rapturous – happened during the induction of Maggot Brain, the 1971 powerhouse by George Clinton's Funkadelic. Wearing all kinds of extravagant hats and glittery outfits, 84-year-old Clinton — joined by Erykah Badu, Funkadelic guitarist Blackbyrd McKnight, and the house band led by an ecstatic Cheche Alara on keyboards — performed the album's first 13 minutes (the title track, followed by the hypnotic "Can You Get To That.") It was a wonderful jam session, seeped in psychedelia, shades of cosmic rock, and impossibly funky grooves. Badu made it even more personal and poignant when she recalled being 5 years old and witnessing her mother lose her mind with joy when a Funkadelic track played on the radio.

A Visionary Record Label Celebrates In Style

Teddy Swims performs onstage during the 2026 Grammy Hall of Fame Gala on Friday, May 8, 2026, at The Beverly Hilton in Los Angeles. | Photo: Emma McIntyre/Getty Images for The Recording Academy

From Prince and Joni Mitchell to Madonna and Fleetwood Mac, Warner Records, this year's recipient of the Visionary Of Music Award, has nurtured the careers of many legendary artists. Warner's Co-Chairmen Aaron Bay-Schuck and Tom Corson emphasized the importance of musicians taking risks and daring to be different. But music speaks louder than words, and it was two of the label's stars that gave the Gala its lush finale: Teddy Swims displayed his charisma on intense renditions of "Mr. Know It All" and "Lose Control," while Josh Groban premiered his recently released 10th album CINEMATIC with a velvety "Brucia La Terra" and, joined by Take 6, a stirring "Stand By Me."

Through rain and shine, Grammy U united the next generation of music during the 2026 Grammy U Conference Presented By Vaseline, the program's annual conference, in New York City last week. Packed with educational panels and activations, the signature event this year expanded to three days, a first for the conference, and celebrated Grammy U's monumental 20th anniversary.

The conference kicked off with two razor-sharp keynote conversations: WILLOW and Jacob Collier dissected the discipline of craft together at the Sheen Center, then Natasha Bedingfield, Towa Bird, and Abigail Morris of The Last Dinner Party discussed the generational evolution of music — all before the trio's special live performance.

Bright and early Saturday morning, Grammy U members learned about two-time Grammy-nominated producer Alissia's creative process during Grammy U Unwrapped, presented in collaboration with the Recording Academy's Producers & Engineers Wing and moderated by music curator Annabelle Kline. Next, Grammy U Representatives Ily Aguilar and Adyna Silverberg led three dynamic conversations with Rolling Loud CEO and Co-Founder Matt Zingler, Grammy U Managing Director Jessie Allen, and Grammy-nominated singer and actress JoJo during "Grammy U Live!: Building Beyond Limits." Later that night, Mariah The Scientist commanded the Grammy U Showcase, presented in collaboration with the Recording Academy's DREAM Network and New York Chapter, at DROM, with opening slots filled by performing Grammy U members and artists Trinity, Radha, and Michael Soul.

Lastly, Grammy U Career Day at Chelsea Studios offered crucial resources for emerging creatives and professionals, including workshops and networking mixers. Buzzing with energy, the day capped off a special weekend that exhibited and celebrated Grammy U's far-reaching evolution.

Couldn't make it in-person? Here are five key takeaways and lessons we learned at the 2026 Grammy U Conference Presented By Vaseline.

Mastercard and Sony Pro Audio are participating sponsors of the 2026 Grammy U Conference Presented By Vaseline.

Learn To Be Comfortable With Being Uncomfortable

"When have I been comfortable and had an aha moment?" WILLOW questioned. Moderated by Grammy-winning artist, songwriter and producer Jacob Collier, her keynote conversation "The Discipline of Craft: Building Authentic Artistry With WILLOW" dove into how the Grammy-nominated artist shaped contemporary music by practicing curiosity.

WILLOW and Collier kicked off the conference with a jamming session that the pair later revealed was improvisatory — and WILLOW admitted insecurity had nearly held her back from committing to the performance.

"If there's anything that you can identify that you're afraid [of], just go there," WILLOW encouraged Grammy U members, reflecting on how the experience had pushed her out of her comfort zone. "It might be uncomfortable, but — hate to say it — those are the experiences that really break you into being like, 'Oh wow, I didn't know … this part of me existed.'"

Part of leaning into this mindset is recognizing that there's always more to learn. "I don't feel we sit here as experts," Collier acknowledged humbly. "We sit here as fellow explorers and fellow students!"

Caring & Trying Hard Is Cool

During the closing panel, "The Sound of Generations: 20 Years in Reflection," on the first day of the conference, Grammy-nominated artist Natasha Bedingfield, singer/songwriter Towa Bird, and The Last Dinner Party's lead singer Abigail Morris reflected on what longevity looks like in the music industry.

In celebration of 20 years of Grammy U, they discussed how the music industry has changed over the past decades, reflecting on trends such as the emergence of short-form digital content, the ever-present pressure of social media, and the ballooning of fan access to artists.

Bedingfield spoke about how artists can become self-conscious for "car[ing] too much," but she underscored the value of leaning into passion unabashedly and visibly.

Morris agreed, criticizing the modern tendency to present art with "ironic nonchalance" and sharing that her love of art comes from a childlike, playful place. "Caring is so cool. Trying hard is really cool," Morris said. "That's something that people should be proud of and excited about."

"It's rebellious in this culture," Bedingfield added. "It's cool to care, and it's cool to have discipline and work hard," Bird agreed.

Don't Forget To Build Community While Still Honing Your Craft

View this post on Instagram

A post shared by GRAMMY U (@grammyu)

During "The Sound of Generations" panel, Bird noted the importance of networking laterally with peers, especially while in college. Whether you're hoping to find someone to offer feedback on your latest song or share legal advice, she described how essential it is to find people to grow alongside in the music community.

"Get to know the people around you — like if you're an artist, meet other artists, [but also] people who are studying music business, who are studying A&R, who want to be executives," she advised. "Be open to understanding the different parts of the music business … so when it does come to that time, you have so many wonderful peers and … you can go to people for advice."

On Saturday, Alissia echoed that advice during her Grammy U Unwrapped session. In conversation with Annabelle Kline, curator and founder of That Good Sh*t, the Grammy-nominated producer reminded members not to be afraid to expand their peer networks, encouraging them to use social media to find collaborators. "Slide into DMs!" she laughed, following a story about how Prince had sent her a DM on Twitter and asked to work together.

During her session, Alissia gave a behind-the-scenes look at her groovy track "Hypnotic Night" featuring Nile Rodgers and EARTHGANG. While her Unwrapped dove into the nitty-gritty of production, her breakdown wasn't all about organization or workflow — it was also about how musical collaboration creates community.

Discover What Success Means To You

View this post on Instagram

A post shared by GRAMMY U (@grammyu)

Closing out day two of the conference, the dynamic panel series "Grammy U Live!: Building Beyond Limits" spotlighted three key figures in the industry: Rolling Loud CEO and Co-Founder Matt Zingler, Grammy U Managing Director Jessie Allen, and Grammy-nominated singer and actress JoJo.

Each shared insight into a different corner of the industry, including scaling up a festival (Zingler), growing a global organization (Allen), and guiding your creative journey with intention (JoJo). But above all, the series reminded audiences that truly no one's creative journey is a perfectly straight line.

Allen stressed that it's normal to be figuring out what success looks like for you, and she emphasized the importance of exploring parts of the music industry that are new to you. Similarly, Zingler encouraged Grammy U members to "stay tuned into your goals," noting how success is measured differently by everyone.

Additionally, JoJo reflected on how she was conditioned by the industry to pursue what was "working for her" rather than what she wanted to pursue creatively. "Be protective of what you like," she advised.

Be Your Own Biggest Advocate

View this post on Instagram

A post shared by GRAMMY U (@grammyu)

After soaking up advice from two panel-packed days, Grammy U members experienced a new wealth of resources at the conference's first-ever full Grammy U Career Day.

Taking steps toward your career can feel intimidating, but Grammy U Career Day laid out myriad opportunities for members with any interest, from law to songwriting to production to management.

Grammy U Career Day hosted several workshops with speakers respectively from the Mechanical Licensing Collective, Recording Academy, and The Ninth Collective: "Royalties 101: How To Collect On Your Catalogue With Serona Elton"; "Future Forward: Looking Beyond Grammy U With Ruby Marchand"; and "Work The Room: Professional Presence With Jade Walters." Nearby at exhibitor tables, Grammy U members spoke with representatives from music nonprofits including HeadCount, Women in Music, the Mechanical Licensing Collective, Anti Social Camp, the Digilogue, and GLAAD.

Offering career consultations with music executives, in-studio sessions with creatives, networking sessions, resume review stations, and even a professional headshot station, Grammy U Career Day reminded members how readily accessible opportunities can be — but it's up to you to seek them out and take advantage of them.

Learn more about Grammy U.

Join Grammy U.

The Grammy Museum is honoring multi-Grammy-Award-winning singer, songwriter and pianist Norah Jones with the Ray Charles Architect Of Sound Award at the 2026 Grammy Hall Of Fame Gala, presented by the Recording Academy and Grammy Museum. Taking place Friday, May 8, at The Beverly Hilton in Los Angeles, the evening will honor the 2026 Grammy Hall Of Fame inducted recordings, which were announced in February. Jones will take the stage for a special performance during the evening, which will also feature one-of-a-kind musical moments from a lineup of artists to be announced soon. 

The 2026 Grammy Hall Of Fame Gala will also recognize Warner Records as the 2026 label honoree in celebration of its enduring contributions to recorded music and its role in championing artists across generations.

The 2026 Grammy Hall Of Fame inducted recordings include 11 albums and three songs that exhibit qualitative or historical significance and are at least 25 years old. Spanning nearly a century of recorded music, the newly inducted recordings range from 2Pac's All Eyez On Me to Janet Jackson's Rhythm Nation 1814 to Radiohead's OK Computer. Others include recordings by Alice Coltrane, Bertha "Chippie" Hill, Ella Jenkins, Eric B. & Rakim, Funkadelic, Heart, Lucinda Williams, Nick Drake, The Rouse Brothers, Selena, and The Soul Stirrers. Eligible recipients will receive an official certificate from the Recording Academy.

With 14 new titles added, the Grammy Hall Of Fame currently totals 1,179 inducted recordings.

See the full list of the 2026 recordings inducted into the Grammy Hall Of Fame below.

See the full list of all recordings inducted into the Grammy Hall Of Fame.

Tables and seats for the 2026 Grammy Hall Of Fame Gala are now available for purchase.

Learn More About Norah Jones

With a career defined by timeless songwriting, unmistakable musicianship and a singular voice that has resonated across jazz, pop, soul, and country, Norah Jones has built a body of work that is both intimate and influential. Her artistry has shaped the sound of modern music for more than two decades, making her a fitting recipient of an honor that celebrates enduring creative impact.

"I'm so honored to receive the Ray Charles Architect of Sound Award," Jones said. "Ray Charles was my musical hero, and he changed the way so many of us hear and feel music. To be recognized in connection with his legacy, and as part of a night that also celebrates such important recorded works, is special for me."

"Norah Jones represents the kind of artistry that leaves a lasting imprint on music and culture," Recording Academy CEO Harvey Mason jr. said. "Her work reflects a deep musicality, emotional honesty, and a spirit of exploration that echoes the legacy of Ray Charles himself. We are honored to celebrate Norah, this year's Grammy Hall Of Fame recordings, and Warner Records as part of an evening dedicated to the enduring impact of great music."

"Norah Jones has created a body of work defined by emotional honesty, musical depth, and a voice that is instantly recognizable," Grammy Museum President/CEO Michael Stickasaid. "Her artistry has resonated across generations and genres, which makes her a remarkable recipient of this honor. We're also proud to recognize Warner Records and to celebrate this year's Grammy Hall Of Fame inducted recordings — enduring works that continue to shape our understanding of music's history and impact."

Learn More About The Ray Charles Architect Of Sound Award

Inspired by the boundless genius of Ray Charles — whose legacy as a performer, pianist, songwriter, producer, and entrepreneur forever transformed the musical landscape — the Ray Charles Architect Of Sound Award recognizes an artist whose influence echoes across generations. The award celebrates artists who transcend genre, redefine creativity, and leave an indelible mark on music and culture. Whether through innovation in sound, groundbreaking artistry, or an unwavering commitment to musical excellence, the recipient embodies the pioneering spirit of Ray Charles, one of music's greatest architects.

"Ray Charles was a singular artist whose influence continues to reach across every corner of music, and this award was created to honor that same spirit of originality, excellence and lasting impact," Ray Charles Foundation President Valerie Ervin said. "Norah Jones is an artist whose work reflects those qualities so beautifully, and we are thrilled to see her recognized with this year's Architect of Sound Award."

Multi-Grammy-Award-winning artist Jon Batiste received the inaugural Ray Charles Architect Of Sound Award in 2025.

2026 Grammy Hall Of Fame Inducted Recordings

• ALL EYEZ ON ME — 2Pac (Album)

• AMOR PROHIBIDO — Selena (Album)

• CAR WHEELS ON A GRAVEL ROAD — Lucinda Williams (Album) 

• DREAMBOAT ANNIE — Heart (Album)

• "JESUS GAVE ME WATER" — The Soul Stirrers (Single) 

• JOURNEY IN SATCHIDANANDA — Alice Coltrane (Album) 

• MAGGOT BRAIN — Funkadelic (Album)

• OK COMPUTER — Radiohead (Album) 

• "ORANGE BLOSSOM SPECIAL" — The Rouse Brothers (Single)

• PAID IN FULL — Eric B. & Rakim (Album)

• PINK MOON — Nick Drake (Album) 

• RHYTHM NATION 1814 — Janet Jackson (Album) 

• "TROUBLE IN MIND" — Bertha "Chippie" Hill (Single) 

• YOU’LL SING A SONG AND I’LL SING A SONG — Ella Jenkins (Album)

About The Grammy Hall Of Fame

The Grammy Hall Of Fame was established by the Recording Academy's National Trustees in 1973. The inducted recordings are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts with final ratification by the Recording Academy's National Board of Trustees.

Former Grammy Awards Executive Producer Ken Ehrlich will produce the 2026 Grammy Hall Of Fame Gala, alongside Ron Basile, Chantel Sausedo, Lindsay Saunders Carl, and Lynne Sheridan. Grammy- and Latin-Grammy-Award-winning composer, producer and conductor Cheche Alara will serve as musical director. Esteemed journalist Anthony Mason will return as host.

For sponsorship opportunities, reach out to halloffame@grammymuseum.org.

During her acceptance speech at the 2026 Grammys, Laufey delivered one of the most inspiring calls to action in Grammy history. Accepting the Grammy for Best Traditional Pop Vocal Album for A Matter Of Time, the Icelandic singer/songwriter gave a massive thanks to all the music educators around the world.

"I owe everything to my music education, to my arts education," she passionately said from the Grammy stage. "We cannot cut arts funding. It's so important. What you all do here is so important."

Much like Laufey, the Grammy organization strongly champions the power of music education and professional development. To mark Music In Our Schools Month this March, the organization that provides year-round learning, networking, and professional development is spotlighting the life-changing impact of music learning, honoring music educators, and elevating the next generation of creators and industry professionals through curated programs and immersive initiatives. The organization's commitment to music education supports the entire music ecosystem — from classroom to career — and ensures emerging leaders are prepared to shape the future of music.

"For me, both music education and professional development are the same: It all points to continuing education," Dr. Chelsey Green, Chair of the Board of Trustees of the Recording Academy, told the Grammy organization in an exclusive interview for the Gramophone newsletter. "Staying on top of your development is the holistic education needed to be as rounded and healthy as an artist as you can, especially as so many independent artists are emerging and sustaining their careers independently."

Here are six essential ways the Grammy organization and its affiliates support working professionals and emerging artists and leaders through year-round music education and professional development.

Investing In The Next Generation Through Mentorship & Career Access

The Grammy organization provides access to mentorship programs, internships, workshops, scholarships, and networking opportunities to ensure that music's next biggest stars and industry leaders are equipped with the tools, knowledge, and networks they need to thrive.

Grammy U & The Grammy U Mentorship Program

View this post on Instagram

A post shared by GRAMMY U (@grammyu)

Grammy U is the Grammy organization's premier membership program for the emerging music community, designed to help aspiring creators and professionals launch their careers. One of its flagship initiatives, the annual Grammy U Mentorship Program Presented by Amazon Music connects eligible Grammy U members with Recording Academy members for a six-month mentorship session, during which participants build relationships that often extend well beyond the program, with some mentees landing their first industry roles through the Grammy U Mentorship Program.

In celebration of Music In Our Schools Month, the Grammy U Mentorship Program will continue to host virtual programming for mentees this month, as well as Grammy U Mentorship Mixers across Chapters nationwide.

Leading Ladies of Entertainment Mentorship Program & Symposium

Created by the Latin Recording Academy in 2016, the Leading Ladies of Entertainment initiative bridges the gender gap in the music industry by honoring influential women and empowering future leaders. Paying-it-forward and forging opportunities for future generations is a core pillar of this initiative, and in 2021, the Latin Grammy Cultural Foundation established its Mentorship Program, where  past honorees and industry professionals provide personalized guidance to selected mentees over three months, offering insights into entrepreneurship, branding, career navigation, and leadership. Applications for the fifth cohort of the Leading Ladies of Entertainment Mentorship Program are open now through Monday, April 6.

In March 2026, the initiative launched its inaugural Leading Ladies of Entertainment Symposium, an inspiring, all-day gathering focused on mentorship, leadership, networking, and the advancement of women in music.

Opening Doors Through Scholarships & Financial Support

The Grammy organization actively works to remove barriers to opportunity via its various scholarship programs, which ensure talented students can pursue their dreams without financial limitations standing in the way.

Your Future Is Now

Presented by Amazon Music and the Recording Academy's Black Music Collective (BMC), the Your Future Is Now scholarship program awards scholarships and hands-on, immersive professional development experiences to students attending Historically Black Colleges and Universities (HBCUs). The program will return for its fifth year in 2026.

Quinn Coleman Memorial Scholarship

Established in 2021 in honor of late music executive and DJ Quinn Coleman, the Quinn Coleman Memorial Scholarship, presented by the Grammy organization and Grammy Museum, provides professional development and resources that prepare students for full-time careers in music; resources include scholarships, stipends, wellness seminars, and internship opportunities at the Recording Academy or Latin Recording Academy.

Latin Grammy Cultural Foundation Scholarships

The Latin Grammy Cultural Foundation is a global champion of music education and empowers communities through Latin music and culture. For over a decade, the Foundation has fostered the next generation of Latin music creators through scholarships, education programs and grants that advance Latin music, such as:

• The Prodigy Scholarship, also known as the 2026 Noel Schajris Scholarship, which offers financial support toward a bachelor's degree at Berklee College of Music for the 2026 fall semester

• Gifted Tuition Scholarships awarded to students to cover tuition and housing costs, as well as wrap-around services provided by the Foundation, toward a four-year bachelor's degree at the institution of their choice

• Several Tuition Assistance Scholarships, which offer financial support to students pursuing or starting a degree in music in the 2026 fall semester

Learn more about and apply to the Latin Grammy Cultural Foundation scholarship programs.

Immersive Learning: Real-World Industry Experiences

Professional development comes alive when students and rising professionals step into real music spaces and attain real-world experiences from working artists and executives. Here are a few examples the Grammy organization provides:

Grammy Camp

The music industry's only summer camp dedicated to delivering direct, real-world insight from working music makers, Grammy Camp is a national summer program for high school students. Led by Grammy winners, Grammy nominees, and music industry professionals, the program provides hands-on training and insider access across multiple disciplines — from performance and songwriting to production and music business.

Presented by the Grammy Museum, Grammy Camp is expanding to four U.S. cities for the 2026 summer season: Nashville, Miami, Los Angeles, and New York City.

Grammy In The Schools

The Grammy Museum's Grammy In The Schools program is a regional music industry career day, presented in partnership with a local Recording Academy Chapter, that provides insight to high school students about diverse career options in the music industry and direction on how to prepare for them.

The Grammy In The Schools Music Industry Career Day program connects high school students with Grammy winners, Grammy nominees, and working professionals across disciplines, offering candid conversations about what it takes to build a sustainable career in music. The program also features keynote panels as well as hands-on, interactive workshops where students can learn about producing a track, writing a song, and navigating the industry.

For Music In Our Schools Month, Grammy In The Schools 2026, in partnership with the Recording Academy's New York Chapter, heads to New Haven, Connecticut, this month for a day of hands-on learning and interactive sessions.

Professional Development & Networking At Every Stage

The Grammy organization prioritizes professional development for its members, as well as the creative community and the music industry at large, throughout the year, providing hands-on access to career pathways across the industry and helping emerging professionals build the networks and skills that shape long-term careers.

The Los Angeles Chapter's NEXT Class program, founded in 2014, provides real-life experiences and mentorship and networking opportunities for emerging Recording Academy members as they begin their paths as future leaders of the music industry.

The monthly Level Up series, one of the Grammy organization's many exclusive membership programs, engages Recording Academy members through purposeful programming focused on professional development and member networking. For Music In Our Schools Month, the Los Angeles, Philadelphia, and Washington, D.C. Chapters will collaboratively host a special edition of Level Up featuring Education Committee Members discussing music and health spaces.

In 2024, the Grammy organization established the Music Education & Professional Development Committee (MEPD), a hub to centralize its efforts and facilitate collaboration regarding education and professional development initiatives across the Recording Academy and its affiliates. Currently led by Co-Chairs and industry executives Nikisha Bailey and Riggs Morales, the MEPD Committee amplifies the organization's mentorship and education initiatives for its collective +29,000 members across its Chapters, Wings and affiliates, including Grammy U, the Grammy Museum, MusiCares, the Latin Recording Academy, and the Latin Grammy Cultural Foundation. The MEPD Committee includes Recording Academy members from across the country and activates locally at each of the Academy's 12 Chapters and on a national level.

Honoring The Educators Who Inspire The Next Generation

Every year, the Grammy organization proudly celebrates music educators through awards that spotlight the changemakers shaping the future of music and ensuring the impact and longevity of music education in the classroom.

Music Educator Award

View this post on Instagram

A post shared by GRAMMY U (@grammyu)

Presented by the Recording Academy and the Grammy Museum, the Music Educator Award honors current educators who have made a significant contribution to music education while demonstrating a deep commitment to ensuring music education remains a vital part of school communities.

Jennifer Jimenez, of South Miami Senior High School in Miami, Florida, received the 2026 Music Educator Award; she was honored at the annual Special Merit Awards ceremony in January during Grammy Week 2026.

Applications for the 2027 Music Educator Award are now open. Nominations are due March 15, 2026. Applications are due March 31, 2026.

Latin Music Educator Award

In 2025, the Latin Recording Academy, in partnership with the Latin Grammy Cultural Foundation, launched the Latin Music Educator Award to honor educators from the global music community who are making a significant impact by incorporating Latin music into their curriculum.

Luciana Ortega, of the Instituto Santa María de San Carlos in Chile, was honored with the inaugural Latin Music Educator Award during Latin Grammy Week 2025 last November.

The Impact Of Music Education: By The Numbers

View this post on Instagram

A post shared by GRAMMYS (@grammys)

The Grammy organization's commitment to music education and professional development is reflected not only in its programs, but in the thousands of lives they impact every year. Here's a look at the organization's impact on music education and professional development by the numbers:

Grammy Museum (in the last year alone)

• 18,000: Number of K-12 students who attended a workshop, field trip, or program at the Grammy Museum in Los Angeles

• +38,000: Number of students and teachers who were impacted by 446 music education programs and initiatives at the Grammy Museum and across the country

• $200,000: The amount awarded in grants for music research and sound preservation by the Grammy Museum

• In 2025, the Grammy Museum announced free youth admission (17 and under), generously underwritten by the Stengaard Gross Family Education Initiative

Grammy U

• +8,000: The amount of Grammy U members worldwide

• +2,000: Participants in the current Grammy U Mentorship Program Presented by Amazon Music

• +130: Programs in 2025

• 700: Schools with members represented in Grammy U

Latin Grammy Cultural Foundation

• +$15 million: The amount the Foundation has awarded to students, schools, music programs, musicologists, and researchers from around the world to date

• New programs launched by the Foundation in 2025

  • Leading Ladies of Entertainment Fireside Chat  

  • Emerging Talent Spotlight  

  • Latin Grammy In The Schools Learning Session and After School