Eight nationalities, eleven albums, and a single winner. That is how the 2025 Latin GRAMMYs will unfold on Nov. 13, in one of the most coveted and competitive Categories: Album Of The Year.

This year's nominees reflect the cultural richness of Latin music. Puerto Rico is represented by Bad Bunny (DeBÍ TiRAR MáS FOToS) and Rauw Alejandro (Cosa Nuestra). Venezuela shines with Joaquina (al romper la burbuja) and Elena Rose (En las Nubes – Con Mis Panas). From Mexico come Carín León (Palabra de To's – Seca) and Natalia Lafourcade (Cancionera). Brazil contributes with Liniker (CAJU), while Spain competes with Alejandro Sanz (¿Y Ahora Qué?). Argentina is represented by the duo CA7RIEL & Paco Amoroso (PAPOTA), Cuba by Gloria Estefan (Raíces), and the Dominican Republic by Vicente García (Puñito De Yocahú).

Album Of The Year also honors not only the lead artist, but the entire creative team behind the project as well — producers who shaped the musical direction; recording, mixing, and mastering engineers who refined every detail; composers and arrangers who built the essence of the songs; musicians and backup singers who added color and depth; and artistic directors who ensured coherence and visual identity. Winning this award means celebrating a network of talent that allows music to truly transcend.

Below, get acquainted with the 10 Album Of The Year nominees at the 2025 Latin GRAMMYs — projects that embody diversity, innovation and cultural significance. And be sure to tune in on Thursday, Nov. 13, when the 2025 Latin GRAMMYs air live from Las Vegas at 8 p.m. ET/PT (7 p.m. CT) on Univision.

Rauw Alejandro — Cosa Nuestra

The New York of the 1970s served as Rauw Alejandro's greatest inspiration for the creation of Cosa Nuestra. Beyond the music, the album's visual aesthetic also captures the cultural shock that a Puerto Rican of that era would have experienced upon arriving in the city that never sleeps.

For Alejandro, this project is both an homage to salsa legends Willie Colón and Héctor Lavoe and a reflection of his own journey, now in the prime of his thirties. As the two-time Latin GRAMMY winner noted in an interview with LOS40, his mission is to continue representing the Isla del Encanto with style and authenticity.

The album highlights his versatility with urban-driven tracks such as "Qué Pasaría..." featuring Bad Bunny, alongside the salsa gem "Tú Con Él." Together, these songs showcase the range of the album, as Alejandro effortlessly navigates between salsa, classic reggaeton and contemporary fusion.

Bad Bunny — DeBÍ TiRAR MáS FOToS

DeBÍ TiRAR MáS FOToS is Bad Bunny's sixth album and stands as his most personal project to date, born from the profound love he feels for his native island. Across the project, the artist blends salsa, classic reggaeton, trap, pop ballads, and touches of jazz and R&B, creating a sonic mosaic that intertwines the intimate with the collective.

The album also shines a light on young Puerto Rican talents, whose contributions bring freshness and authenticity to the project. Among its most notable tracks are the salsa piece "BAILE INoLVIDABLE" and the reggaeton anthem "DtMF," songs that embody his roots while revealing his introspective side (and are both nominated for Song and Record Of The Year).

With this work, the 12-time Latin GRAMMY and 3-time GRAMMY winner reaffirms his commitment to expanding his legacy, using music as a bridge between his personal journey and Puerto Rico's cultural identity.

Read More: 5 Takeaways From Bad Bunny's 'Debí Tirar Más Fotos': A Very Personal, Very Political Sixth Album

CA7RIEL & Paco Amoroso — PAPOTA

PAPOTA, as its name suggests, is pure protein — but not the kind that builds muscles. It's the musical energy that has propelled CA7RIEL and Paco Amoroso to the forefront, earning them Latin GRAMMY nominations for Album Of The Year as well as Song Of The Year and Record Of The Year with PAPOTA singles "#Tetas" and "El Día del Amigo."

Their power comes from an eclectic fusion of genres: trap, funk, R&B, alternative pop, electronic, and even flashes of rock, all delivered through an irreverent and provocative aesthetic that has secured their place on the international stage. In just a few years, the duo has gone from local venues to tours across Argentina, Mexico, Spain, Colombia, Chile, and Uruguay, and to performances at major festivals including Coachella, Glastonbury, Roskilde, and Lollapalooza.

With PAPOTA, CA7RIEL and Paco Amoroso present a bold and entertaining proposal that combines irony and social commentary with the irresistible rhythms that define them as the "yin and yang" of urban pop music.

Read More: CA7RIEL & Paco Amoroso Talk 'PAPOTA,' Touring The World And The Importance Of Friendship

Gloria Estefan — Raíces

When someone rolls the dice, you never know what will happen. Something similar occurred with Gloria Estefan as she celebrated her 50-year career: she decided to return to her roots and sing once again in her first language, Spanish, after 18 years. She expressed it clearly when presenting Raíces, her 16th studio album, a project that, in her words, "celebrates love between couples and the Spanish language."

In this work, Estefan explores rhythms such as cha-cha-cha, ballads and Afro-Caribbean percussion, channeling them into a joyful celebration of love and life. Tracks like "Tan Iguales y Tan Diferentes" and "Tú y Yo" embody that spirit of connection and festivity.

Born in Havana and raised in Miami after emigrating as a child, Estefan is considered one of the most influential Latin voices of all time. With more than 100 million records sold, she has been honored with four GRAMMYs and four Latin GRAMMYs, in addition to the Kennedy Center Honors and the Presidential Medal of Freedom. She has played a pivotal role in opening the doors of the international market to Latin music and in consolidating the presence of Hispanic culture on the global stage — and Raíces is a celebration of her legacy.

Vicente García — Puñito De Yocahú

With Puñito De Yocahú, Vicente García was never aiming to be crowned number one. What the Dominican artist truly sought was to represent his Caribbean culture, rescue the history of his island marked by exploitation and colonization, and translate it into music.

This vision comes to life in tracks like "Quisqueya," where he blends electronics, arpeggiators, Cuban tres, and synthesizers, all interwoven with samples that echo the patterns of other songs. True to his roots, the album also includes bachata — the genre that shaped his upbringing — fused with reggae in pieces such as "Mambo Violento."

García has built a career by merging traditional roots with contemporary sounds, earning recognition as one of the most innovative voices in the Caribbean. With Puñito De Yocahú, the four-time Latin GRAMMY winner explores Dominican identity through a blend of bachata, reggae, Afro-Caribbean rhythms, and electronic elements. The album reflects on the history and memory of his island while pushing the boundaries of Dominican music.

Joaquina — al romper la burbuja

The calling card of this young Venezuelan singer is al romper la burbuja, an album that Joaquina described to LOS40 as the result of five years of intense work and a faithful snapshot of her life. Her debut full-length is a raw canvas where she captures her essence, flowing between pop ballads and folk.

At just 21 years old, Joaquina has established herself as a generational icon thanks to her lyrical honesty and authentic style. Her debut EP, 2023's Los Mejores Años, helped her earn the honor of Best New Artist at the 2023 Latin GRAMMYs. With al romper la burbuja — and introspective songs such as "gracias x estar aquí" — she reveals both her vulnerability and her strength, cementing her as one of the most promising young voices in Latin music.

Watch: Joaquina Share The Guitar That Has Her Heart | It Goes To 11

Natalia Lafourcade — Cancionera

Cancionera was born in the midst of the devastating pandemic. To endure isolation, Natalia Lafourcade found refuge in her mother's piano and, from a distance, gathered musicians to bring this intimate project to life.

Love transcends words and becomes the true language, flowing through pieces such as "Apertura Cancionera" and "Cancionera (acústica)," both dedicated to her parents. With her ninth studio album, Lafourcade puts to the test what she calls her "cat-like instinct," pursuing unity through music that dissolves loneliness with the sounds of Latin folk, traditional Mexican music and echoes of Latin American culture.

Lafourcade is the female artist with the most Latin GRAMMY wins with 18 to date (she's also won 4 GRAMMYs). With eight more nominations at the 2025 Latin GRAMMYs — including Record and Song Of The Year for Cancionera's title track, which pays homage to those who have inspired her artistic evolution — she may just add to her remarkable legacy.

Read More: Natalia Lafourcade Shares Her 10 Most Important Songs: From "Nunca Es Suficiente" To "El Lugar Correcto"

Carín León — Palabra De To's (Seca)

Carín León's album Palabra De To's further declares his position as one of the most influential voices in contemporary Mexican music. It's a project that blends the deep roots of regional Mexican styles such as norteño, banda and mariachi with modern pop sounds and even touches of country and funk, resulting in a versatile and contemporary sound.

A GRAMMY and three-time Latin GRAMMY winner, León has established himself as one of the genre's most innovative performers. With Palabra De To's (Seca), he not only honors Mexican musical tradition, but also reinforces the narrative character of his lyrics: stories of love, heartbreak and pride told with distinctive authenticity.

The album cover carries a special meaning, too. Carín chose to feature all the men and women, composers, and collaborators who made the project possible, underscoring the idea that music is a collective endeavor. With this gesture, and with the album itself, he breaks free from what he once described as a "musical slavery" that limited him in the past, embracing a new era of creative freedom.

Palabra De To's also highlights the unity of the Hispanic community, where genre boundaries blur to give way to brotherhood. This is evident in collaborations such as "Si Tú Te Vas" with Maluma and "Me Está Doliendo" with Alejandro Fernández. The album also includes songs rooted in real-life stories, like "Por la Suave," inspired by the tale of a man from León's hometown who lived with a mannequin dressed as a bride after losing his fiancée just four days before their wedding.

Watch: Carin León Wins Best Contemporary Mexican Music Album For 'Boca Chueca, Vol. 1' | 2024 Latin GRAMMYs

Liniker — CAJU

CAJU, Liniker's latest album, cements her place as one of the most original and moving voices in contemporary Brazilian music. It draws on the richness of MPB (Música Popular Brasileira) and blends it with soul, R&B and Afro-Brazilian rhythms, creating an intimate, poetic and profoundly spiritual soundscape.

Across the project, Liniker reflects on love, identity and freedom, but also on resistance and healing, always from a deeply personal and honest perspective. The title CAJU — a fruit native to Brazil — serves as a metaphor for the everyday and the sacred, for the sweetness and harshness of life that coexist in each song.

CAJU celebrates not only her artistic maturity, but also a new chapter in her career following the success of Índigo Borboleta Anil. Each track is infused with Liniker's powerful interpretive style, capable of transforming vulnerability into strength and pain into beauty.

The album is so impactful, in fact, that it earned the Brazilian singer nods in the Record Of The Year and Song Of The Year Categories at the 2025 Latin GRAMMYs — the former for the poetic love song "Ao Teu Lado," and the latter for "Veludo Marrom," one of the most emotional and distinctive pieces to emerge from this musical universe.

Read More: Liniker Performs "CAJU" At Amsterdam's Famed Paradiso | Global Spin

Elena Rose — En Las Nubes - Con Mis Panas

Venezuelan singer/songwriter Elena Rose invites listeners to step into her personal refuge with En Las Nubes - Con Mis Panas — a space among the clouds where, instead of hiding, one can feel protected and free to be authentic.

The title of this eight-song project was born from a childhood memory, when Rose was often told she always had her head in the clouds. From that image comes both the name and the essence of the album, an intimate universe that connects directly with her true self.

According to Rose, the track "Me Lo Merezco" is a magical and pure piece that embodies the central theme of the album: self-love. The project is wrapped in a fresh Latin pop sound, infused with touches of urban music that highlight her distinctive style.

Watch: Kali Uchis, Elena Rose & Emilia Deliver Their Hits "Te Mata," "Caracas En El 2000," & "No Se Ve" At The 2024 Latin GRAMMYs

Alejandro Sanz — ¿Y Ahora Qué?

For two years, Alejandro Sanz worked intensely on a six-song EP, conceived as a space for healing and catharsis, but also for entertainment. From that process emerged ¿Y Ahora Qué?, a deeply personal project that, through a simple question (What Now?), reminds us that feeling bad is just as valid as feeling good.

The album features tracks such as the Grupo Frontera collaboration "Hoy no me siento bien" and "Palmeras en el jardín," the latter of which is nominated for Record and Song Of The Year. Both songs highlight the sound that has always defined the 22-time Latin GRAMMY winner: a dialogue between Latin pop and heartfelt ballads.

Throughout his career, Sanz has transcended genres and generations, also championing the importance of mental health. Embracing vulnerability has long been the heart of his music, and ¿Y Ahora Qué? helps reaffirm one of his most powerful messages — and what's made him a beloved icon.

During her acceptance speech at the 2026 Grammys, Laufey delivered one of the most inspiring calls to action in Grammy history. Accepting the Grammy for Best Traditional Pop Vocal Album for A Matter Of Time, the Icelandic singer/songwriter gave a massive thanks to all the music educators around the world.

"I owe everything to my music education, to my arts education," she passionately said from the Grammy stage. "We cannot cut arts funding. It's so important. What you all do here is so important."

Much like Laufey, the Grammy organization strongly champions the power of music education and professional development. To mark Music In Our Schools Month this March, the organization that provides year-round learning, networking, and professional development is spotlighting the life-changing impact of music learning, honoring music educators, and elevating the next generation of creators and industry professionals through curated programs and immersive initiatives. The organization's commitment to music education supports the entire music ecosystem — from classroom to career — and ensures emerging leaders are prepared to shape the future of music.

"For me, both music education and professional development are the same: It all points to continuing education," Dr. Chelsey Green, Chair of the Board of Trustees of the Recording Academy, told the Grammy organization in an exclusive interview for the Gramophone newsletter. "Staying on top of your development is the holistic education needed to be as rounded and healthy as an artist as you can, especially as so many independent artists are emerging and sustaining their careers independently."

Here are six essential ways the Grammy organization and its affiliates support working professionals and emerging artists and leaders through year-round music education and professional development.

Investing In The Next Generation Through Mentorship & Career Access

The Grammy organization provides access to mentorship programs, internships, workshops, scholarships, and networking opportunities to ensure that music's next biggest stars and industry leaders are equipped with the tools, knowledge, and networks they need to thrive.

Grammy U & The Grammy U Mentorship Program

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Grammy U is the Grammy organization's premier membership program for the emerging music community, designed to help aspiring creators and professionals launch their careers. One of its flagship initiatives, the annual Grammy U Mentorship Program Presented by Amazon Music connects eligible Grammy U members with Recording Academy members for a six-month mentorship session, during which participants build relationships that often extend well beyond the program, with some mentees landing their first industry roles through the Grammy U Mentorship Program.

In celebration of Music In Our Schools Month, the Grammy U Mentorship Program will continue to host virtual programming for mentees this month, as well as Grammy U Mentorship Mixers across Chapters nationwide.

Leading Ladies of Entertainment Mentorship Program & Symposium

Created by the Latin Recording Academy in 2016, the Leading Ladies of Entertainment initiative bridges the gender gap in the music industry by honoring influential women and empowering future leaders. Paying-it-forward and forging opportunities for future generations is a core pillar of this initiative, and in 2021, the Latin Grammy Cultural Foundation established its Mentorship Program, where  past honorees and industry professionals provide personalized guidance to selected mentees over three months, offering insights into entrepreneurship, branding, career navigation, and leadership. Applications for the fifth cohort of the Leading Ladies of Entertainment Mentorship Program are open now through Monday, April 6.

In March 2026, the initiative launched its inaugural Leading Ladies of Entertainment Symposium, an inspiring, all-day gathering focused on mentorship, leadership, networking, and the advancement of women in music.

Opening Doors Through Scholarships & Financial Support

The Grammy organization actively works to remove barriers to opportunity via its various scholarship programs, which ensure talented students can pursue their dreams without financial limitations standing in the way.

Your Future Is Now

Presented by Amazon Music and the Recording Academy's Black Music Collective (BMC), the Your Future Is Now scholarship program awards scholarships and hands-on, immersive professional development experiences to students attending Historically Black Colleges and Universities (HBCUs). The program will return for its fifth year in 2026.

Quinn Coleman Memorial Scholarship

Established in 2021 in honor of late music executive and DJ Quinn Coleman, the Quinn Coleman Memorial Scholarship, presented by the Grammy organization and Grammy Museum, provides professional development and resources that prepare students for full-time careers in music; resources include scholarships, stipends, wellness seminars, and internship opportunities at the Recording Academy or Latin Recording Academy.

Latin Grammy Cultural Foundation Scholarships

The Latin Grammy Cultural Foundation is a global champion of music education and empowers communities through Latin music and culture. For over a decade, the Foundation has fostered the next generation of Latin music creators through scholarships, education programs and grants that advance Latin music, such as:

• The Prodigy Scholarship, also known as the 2026 Noel Schajris Scholarship, which offers financial support toward a bachelor's degree at Berklee College of Music for the 2026 fall semester

• Gifted Tuition Scholarships awarded to students to cover tuition and housing costs, as well as wrap-around services provided by the Foundation, toward a four-year bachelor's degree at the institution of their choice

• Several Tuition Assistance Scholarships, which offer financial support to students pursuing or starting a degree in music in the 2026 fall semester

Learn more about and apply to the Latin Grammy Cultural Foundation scholarship programs.

Immersive Learning: Real-World Industry Experiences

Professional development comes alive when students and rising professionals step into real music spaces and attain real-world experiences from working artists and executives. Here are a few examples the Grammy organization provides:

Grammy Camp

The music industry's only summer camp dedicated to delivering direct, real-world insight from working music makers, Grammy Camp is a national summer program for high school students. Led by Grammy winners, Grammy nominees, and music industry professionals, the program provides hands-on training and insider access across multiple disciplines — from performance and songwriting to production and music business.

Presented by the Grammy Museum, Grammy Camp is expanding to four U.S. cities for the 2026 summer season: Nashville, Miami, Los Angeles, and New York City.

Grammy In The Schools

The Grammy Museum's Grammy In The Schools program is a regional music industry career day, presented in partnership with a local Recording Academy Chapter, that provides insight to high school students about diverse career options in the music industry and direction on how to prepare for them.

The Grammy In The Schools Music Industry Career Day program connects high school students with Grammy winners, Grammy nominees, and working professionals across disciplines, offering candid conversations about what it takes to build a sustainable career in music. The program also features keynote panels as well as hands-on, interactive workshops where students can learn about producing a track, writing a song, and navigating the industry.

For Music In Our Schools Month, Grammy In The Schools 2026, in partnership with the Recording Academy's New York Chapter, heads to New Haven, Connecticut, this month for a day of hands-on learning and interactive sessions.

Professional Development & Networking At Every Stage

The Grammy organization prioritizes professional development for its members, as well as the creative community and the music industry at large, throughout the year, providing hands-on access to career pathways across the industry and helping emerging professionals build the networks and skills that shape long-term careers.

The Los Angeles Chapter's NEXT Class program, founded in 2014, provides real-life experiences and mentorship and networking opportunities for emerging Recording Academy members as they begin their paths as future leaders of the music industry.

The monthly Level Up series, one of the Grammy organization's many exclusive membership programs, engages Recording Academy members through purposeful programming focused on professional development and member networking. For Music In Our Schools Month, the Los Angeles, Philadelphia, and Washington, D.C. Chapters will collaboratively host a special edition of Level Up featuring Education Committee Members discussing music and health spaces.

In 2024, the Grammy organization established the Music Education & Professional Development Committee (MEPD), a hub to centralize its efforts and facilitate collaboration regarding education and professional development initiatives across the Recording Academy and its affiliates. Currently led by Co-Chairs and industry executives Nikisha Bailey and Riggs Morales, the MEPD Committee amplifies the organization's mentorship and education initiatives for its collective +29,000 members across its Chapters, Wings and affiliates, including Grammy U, the Grammy Museum, MusiCares, the Latin Recording Academy, and the Latin Grammy Cultural Foundation. The MEPD Committee includes Recording Academy members from across the country and activates locally at each of the Academy's 12 Chapters and on a national level.

Honoring The Educators Who Inspire The Next Generation

Every year, the Grammy organization proudly celebrates music educators through awards that spotlight the changemakers shaping the future of music and ensuring the impact and longevity of music education in the classroom.

Music Educator Award

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Presented by the Recording Academy and the Grammy Museum, the Music Educator Award honors current educators who have made a significant contribution to music education while demonstrating a deep commitment to ensuring music education remains a vital part of school communities.

Jennifer Jimenez, of South Miami Senior High School in Miami, Florida, received the 2026 Music Educator Award; she was honored at the annual Special Merit Awards ceremony in January during Grammy Week 2026.

Applications for the 2027 Music Educator Award are now open. Nominations are due March 15, 2026. Applications are due March 31, 2026.

Latin Music Educator Award

In 2025, the Latin Recording Academy, in partnership with the Latin Grammy Cultural Foundation, launched the Latin Music Educator Award to honor educators from the global music community who are making a significant impact by incorporating Latin music into their curriculum.

Luciana Ortega, of the Instituto Santa María de San Carlos in Chile, was honored with the inaugural Latin Music Educator Award during Latin Grammy Week 2025 last November.

The Impact Of Music Education: By The Numbers

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The Grammy organization's commitment to music education and professional development is reflected not only in its programs, but in the thousands of lives they impact every year. Here's a look at the organization's impact on music education and professional development by the numbers:

Grammy Museum (in the last year alone)

• 18,000: Number of K-12 students who attended a workshop, field trip, or program at the Grammy Museum in Los Angeles

• +38,000: Number of students and teachers who were impacted by 446 music education programs and initiatives at the Grammy Museum and across the country

• $200,000: The amount awarded in grants for music research and sound preservation by the Grammy Museum

• In 2025, the Grammy Museum announced free youth admission (17 and under), generously underwritten by the Stengaard Gross Family Education Initiative

Grammy U

• +8,000: The amount of Grammy U members worldwide

• +2,000: Participants in the current Grammy U Mentorship Program Presented by Amazon Music

• +130: Programs in 2025

• 700: Schools with members represented in Grammy U

Latin Grammy Cultural Foundation

• +$15 million: The amount the Foundation has awarded to students, schools, music programs, musicologists, and researchers from around the world to date

• New programs launched by the Foundation in 2025

  • Leading Ladies of Entertainment Fireside Chat  

  • Emerging Talent Spotlight  

  • Latin Grammy In The Schools Learning Session and After School

See the full list of winners and nominees from the 2026 Grammys.

Watch highlights and exclusive Grammys content from the 2026 Grammys all year long.

At the 2026 Grammys, winning artists took to the stage with much more than gratitude on their minds. Grammy winners such as Lady Gaga and Recording Academy Lifetime Achievement Award honoree Cher supported rising artists, particularly women in the music industry. Kendrick Lamar deflected from his own victories to pay tribute to Luther Vandross, namesake of his Record-Of-The-Year-winning tune, and the hip-hop community at large.

In particular, many artists reacted to the ongoing campaign of deportations and anti-immigrant violence happening across the U.S. Bad Bunny, Billie Eilish and Olivia Dean all spoke movingly in support of immigrants, while many other artists wore "ICE OUT" pins.

Below, revisit some of the most moving acceptance speeches from the 2026 Grammys.

Watch all the 2026 Grammys acceptance speeches in full.

Kendrick Lamar Makes Rap History & Shouts Out The Hip-Hop Community

After dominating the 2025 Grammys with "Not Like Us," Kendrick Lamar took home five Grammys this year and became the rapper with the most Grammy wins ever. After winning three Grammys earlier in the day during the 2026 Grammy Awards Premiere Ceremony, the Los Angeles artist won the first Grammy Award of the telecast for Best Rap Album for GNX. With this Grammy win, he topped JAY-Z's 25 wins to snatch the record for most Grammys won by a rapper.

"Every time I tell you this: Hip-hop is gonna always be right here," Lamar said in his Grammy acceptance speech, dedicating his win to the hip-hop movement. "We gonna be in these suits, we gonna be looking good, we gonna be having our folks with us, we're gonna be having the culture with us."

Kendrick also shouted out Clipse, with whom he won Best Rap Performance earlier in the day for their track "Chains & Whips." He would return to the stage once more before the end of the night to take home the Grammy for Record of the Year for his song "luther" with SZA, bringing his career total to 27 Grammy wins.

Bad Bunny Stands Up For Immigrants

Of the many statements made in support of immigrants at the 2026 Grammys, few felt more powerful and resonant than Bad Bunny's, who twice spoke on the issue on the Grammy stage. Accepting the Grammy for Best Música Urbana Album for DeBÍ TiRAR MáS FOToS, the Puerto Rican superstar front-loaded his acceptance speech with a rebuke of the dehumanizing rhetoric faced by immigrants, especially Latin Americans such as himself.

"Before I say thanks to God, I'm gonna say: ICE out," he declared. "We're not savage, we're not animals, we're not aliens. We are humans and we are Americans."

Later that night, after winning the Grammy for Album of the Year, a visibly shocked and overwhelmed Bad Bunny returned to the stage to deliver another Grammy acceptance speech, though this time mostly in Spanish. It was an appropriate move considering the history-making album is the first non-English-language album to ever win the Grammy for Album Of The Year. But given his stunned reaction, Bad Bunny may have just been too emotional to so quickly translate most of his thoughts. But in a fitting move, he dedicated his Grammy win to "all the people who had to leave their homeland, their country, to follow their dreams."

Olivia Dean Tearfully Takes Best New Artist

"I never imagined I'd be up here, let alone nominated," Olivia Dean said as she tearfully accepted the Grammy for Best New Artist. Having just performed her U.K. chart-topping single "Man I Need" on the Grammy stage, the British singer used her platform to speak out in support of immigrants, including her own grandmother, who immigrated to the U.K. from Guyana as part of the Windrush generation.

"I'm up here as a granddaughter of an immigrant," Dean said. "I'm a product of bravery, and I think those people deserve to be celebrated."

Lady Gaga Supports Women In Music

As well-known as she is for awards-show spectacles – Remember the meat dress? – Lady Gaga kept things (mostly) low-key and earnest. Following a dynamic performance of "Abracadabra," she returned to the stage to accept the Grammy for Best Pop Vocal Album for MAYHEM.

Thanking her fiancé, Michael Polansky, and her collaborators, including Cirkut, who won the Grammy for Producer Of The Year, Non-Classical winner, and Gessaffelstein, the latter of whom won the Grammy for Best Remixed Recording for his remix of "Abracadabra," Lady Gaga offered some encouraging words for women in the music industry.

"When you're in the studio with a bunch of guys, it can be hard," she said. "Always listen to yourself and always fight for your ideas, fight for your songs, fight for yourself as a producer."

"Abracadabra" also won the Grammy for Best Dance Pop Recording, bringing her total career Grammy wins to 16.

Lola Young Swears She Didn't Expect Grammy Win

Though Lola Young certainly had stiff competition in the Best Pop Solo Performance Category, including veterans such as Justin Bieber and Lady Gaga, nobody was more shocked at her Grammy win in than Young herself. The singer, also nominated for Best New Artist, had just wrapped an emotional piano rendition of her track "Messy" earlier in the evening, one of her first live performances in four months following a health scare.

"I don't have any speech prepared," a visibly shocked Young said. "I don't know what to say. Thank you so much!" Utterly overwhelmed and searching for words, Young dropped a few less-than-TV-appropriate words before thanking her friends and mother and fleeing the stage while in a state of pure ecstasy.

Billie Eilish Gets Serious During Song Of The Year Speech

Winning the Grammy for Song of the Year for "WILDFLOWER," her 10th Grammy, didn't seem to weigh heavily on Billie Eilish's mind as she took the stage to accept the award. Flanked by her brother and creative partner FINNEAS, both wearing "ICE OUT" pins, as were many of the other attendees, the pop star weighed in on the current anti-immigration policies being carried out in the U.S.

"No one is illegal on stolen land," Eilish said. "It's just really hard to know what to say and what to do right now … I feel really hopeful in this room, and I feel like we just need to keep fighting and speaking up and protesting, and our voices really do matter, and the people matter."

The more serious tone of the speech contrasted with Eilish's previous wins, but it felt more than appropriate given the current climate.

Cher's Audacious Return To The Grammy Stage

Cher is always a class act. With dozens of hits across a decades-spanning career, she earned the Recording Academy Lifetime Achievement Award deservedly. Her acceptance speech on the Grammy stage quickly became one of the most talked-about moments of the night.

First, she gave a stirring speech reflecting on her storied yet tumultuous time in show business. "I was famous at 19 and had a top-rated show in my 20s, actually, but it didn't occur to me how rough my career was going to be," she said. "I was either a loser or winning an Oscar. I'm sure a lot of you in the audience know what I'm talking about."

Cher also reflected on her stint in the "elephant graveyard" of Las Vegas in the '80s and her pioneering use of AutoTune on her Grammy-winning hit single "Believe." She closed out her speech by encouraging the audience: "Never give up on your dream, no matter what happens. Live it, be it, and if it's not happening now, it will happen soon."

Then things got a little bit … whacky. Apparently unclear that she would be presenting the Grammy for Record of the Year, the singer nearly walked off the stage before the crowd and host Trevor Noah coaxed her back. Then she mistakenly declared the late Luther Vandross the winner, in reference to the winning song, "luther" by Kendrick Lamar and SZA. Oh Cher, don't you ever change!

Jelly Roll Goes Full Country Music

Jelly Roll had already won two Grammys earlier in the day for collaborations with Brandon Lake and Shaboozey, but it wasn't until the evening that he got to ascend the Grammy stage solo. Winning the Grammy for Best Contemporary Country Album for Beautifully Broken, he made his acceptance speech into a sort of country song in its own right, thanking his wife, referencing his Christian faith, and describing the troubles that led him to turn to music.

"I didn't think I had a chance, y'all," he said. "There were days that I thought the darkest things. I was a horrible human … There was a moment in my life that all I had was a Bible this big and a radio the same size and a six-by-eight-foot cell. And I believed that those two things could change my life."

The singer wrapped his speech by once again invoking religion: "Jesus is for everybody. Jesus is not owned by one political party. Jesus is not owned by no music label."

"luther" Wins Record of the Year

Cher may have been a bit off when she confidently misread that the Grammy for Record of the Year was going to "Luther Vandross." But the actual winners, Kendrick Lamar and SZA, made it clear that their chart-topping tune "luther" was a spiritual victory for the legendary R&B star who inspired the song, which prominently samples Vandross' and Cheryl Lynn's 1982 cover of "If This World Were Mine."

"First and foremost, let's give a shout-out to the late, great Luther Vandross," co-producer Sounwave began. "It was very, very, very important to keep the integrity of his record."

Lamar echoed the sentiment. "It's one of my favorite artists of all time, and they granted us the privilege to do our version of it. When we got that clearance, I promise you we damn near all dropped a tear.

"Being able to put our vocals on it, it proves that we were somewhat worthy to be just as great as them individuals," he continued. "They granted us that. They said, 'No cursing,' though."

Finally, SZA struck a note of hopefulness at the end of the speeches. "I know that right now is a scary time. I know the algorithms tell us that it's so scary, and all is lost," she said. "We can go on. We need each other. We need to trust each other and trust ourselves, trust your heart. We're not governed by the government, we're governed by God."

This Grammy win for "luther" puts Lamar in elite territory as a back-to-back Record Of The Year Grammy winner, joining fellow winners like Billie Eilish, U2, and the late Roberta Flack, the latter of whom was tributed in the annual In Memoriam celebration led by Ms. Lauryn Hill earlier in the ceremony.

See the full list of winners and nominees from the 2026 Grammys.

Watch highlights and exclusive Grammys content from the 2026 Grammys all year long.

The Grammys have undeniably always been Music's Biggest Night, but there's an argument its one of fashion's biggest nights, too. Over the years, the Grammys have offered fans an endless display of eye-catching and boundary-pushing fashion, in between celebrating music, and the 2026 Grammys were no exception.

The sartorial parade began, of course, on the Grammy red carpet, where Grammy nominees, presenters, and more of the music industry's brightest stars celebrated the year in musical excellence. But with plenty of outfit changes, over-the-top performances and surprise appearances during the show, the can't-miss looks continued throughout the entire evening — all the way up until host Trevor Noah bid the millions watching at home a good night.

Below, check out some of the most unforgettable and talked-about looks from the 2026 Grammys, from Chappell Roan's spicy Mugler moment to Bad Bunny's history-making haute couture.

Chappell Roan

Chappell Roan, last year's Best New Artist winner, turned heads on the Grammy red carpet with a custom Mugler ensemble involving nipple rings, pastie prosthetics, and a plethora of medieval-inspired temporary tattoos. (The entire look was directly inspired by Mugler's Jeu de Paume couture collection from spring/summer 1998.)

While the risqué outfit set the internet positively ablaze, Roan — who was nominated for Record of the Year and Best Pop Solo Performance for her 2025 single "The Subway" and presented this year's Grammy Award for Best New Artist to Olivia Dean — shrugged off the online pearl-clutching with a laugh.

"Giggling because I don't even think this is THAT outrageous of an outfit. The look's actually so awesome and weird," Roan wrote in an Instagram post after the Grammys.

"I recommend just exercising your free will it's really fun and silly :D," the Midwest Princess continued. "Thank you for having me @grammys and those who voted for me!!"

Sabrina Carpenter

Sabrina Carpenter was nothing short of a vision when she arrived at the 2026 Grammys wearing a romantic custom gown by Valentino.

Honoring the late Italian fashion icon, who died in January at 93, the superstar's dress featured a dainty, sheer capelet for the sleeves, a sparkling bodice made of crystalline, beaded flowers, and a cascading, ruffled skirt.

Nominated for six Grammys — including Album of the Year and Best Pop Vocal Album —  for her 2025 album Man's Best Friend, Carpenter lit up the Grammy stage early in the telecast with a maximalist production number of her No. 1 single "Manchild," which also earned nods for Song of the Year, Record of the Year, Best Pop Solo Performance, and Best Music Video. For the high-energy, airport-themed number, Carpenter changed into a corseted pilot's uniform, complete with matching white go-go boots and an old-fashioned airline captain's hat.

KATSEYE

KATSEYE expertly resurrected the immortal tradition of girl groups rocking matching looks on the Grammys red carpet. The sextet looked all sorts of angelic in their coordinated white and silver gowns by Ludovic de Saint Sernin, complete with studded silver detailing and ample use of both halter necklines and lace.

Of course, during the telecast, the first-time Grammy nominees changed into more choreography-friendly outfits to perform their addictive single "Gnarly" — a high-octane highlight from the Best New Artist medley that also featured performances from fellow Best New Artist Grammy nominees The Marías, Addison Rae, Leon Thomas, Alex Warren, Lola Young, sombr, and eventual winner Olivia Dean.

KATSEYE weren't the only group sporting a matching aesthetic at the show. British girl group FLO, who earned their first Grammy nomination this year in the Best Progressive R&B Album Category, served up regal shades of royal blue on the red carpet just days after paying tribute to Mariah Carey with a cover of "Dreamlover" at the 2026 MusiCares Person of the Year benefit gala. The sisters of HAIM, meanwhile, opted for a trio of strappy black-and-silver dresses by Louis Vuitton. Plus, on the menswear side of the aisle, Pharrell Williams matched with Clipse in peachy velvet suits before hitting the Grammy stage to perform their 2025 collaboration "So Far Ahead," off the Grammy-nominated Let God Sort Em Out.

Teyana Taylor

Fresh off her win at the 2026 Golden Globes, Teyana Taylor wore an ab-baring gown by Tom Ford at the 2026 Grammys.

The budding multi-hyphenate, who earned her first Grammy nomination for Best R&B Album for her 2025 album Escape Room, wowed in an asymmetrical look made of metallic chain mail. Continuing the red carpet theme of daring, nearly-naked fashion, the dress featured an innovative strapless design that had to be seen to be believed.

Perhaps the most striking detail, though, is that Taylor reportedly styled herself for the evening, pairing the sculptural gown with a plunging gold necklace from Tiffany & Co., bronzed makeup, and a matching manicure.

Heidi Klum

Heidi Klum's dress at the 2026 Grammys was both a high-fashion moment and a technological marvel. Dreamed up by Berlin-based designer Marina Hoermanseder, the skin-toned leather look brought new meaning to "nude illusion," with the dress sculpted to a mold of the supermodel's body.

"She did a little mold, and then everything is done by leather. She makes it wet, it gets molded, then she dries it. Then it gets lacquered, sprayed and voila!" Klum explained on the Grammy red carpet while dishing on "Red Eye," her new collab with Diplo created for the upcoming season of "Germany's Next Topmodel."

"I always go for, like, a showstopper kind of an outfit, you know? I'm never someone who's like, 'This looks nice,'" the longtime "Project Runway" host concluded. "I always like something special."

Following the ceremony, Hoermanseder gave followers a behind-the-scenes peek at the process of making Klum's body-baring gown via an insightful Instagram carousel. The fashion designer showed off every step of the painstaking process — from creating the very first sketches and computer models to stretching and drying the leather by hand before matching its color precisely to Klum's skin.

Bad Bunny

Hours before Bad Bunny's triumphant night at the Grammys ended with his historic win for Album of the Year, it started with the perfect Schiaparelli tuxedo.

Inspired by a gender-bending design from the French maison's Couture runway show in 2023 and featuring a laced-up, corset-style back and subtle measuring tape lapel, Benito's dapper tux made its own mark on fashion history as Schiaparelli's very first Haute Couture custom menswear look to ever grace a red carpet.

Following the 2026 Grammys, Schiaparelli took to social media to celebrate Bad Bunny's trio of big wins for Album of the Year, Best Música Urbana Album, and Best Global Music Performance. They also gleefully pointed out the fact that the past three Album of the Year Grammy winners have all accepted their Grammys while wearing custom Schiaparelli Haute Couture — including Beyoncé in 2025 for COWBOY CARTER and Taylor Swift in 2024 for Midnights. Talk about a high fashion hat trick!

Harry Styles

Harry Styles served as the final presenter at the 2026 Grammys, returning to the Grammy stage to announce this year's winner for Album of the Year. And while the three-time Grammy winner didn't walk the Grammy red carpet, he still managed to make quite the sartorial statement by pairing a dazzling Dior blazer with — of all things — casual dark wash jeans.

"A truly great album can change the way you see everything. An artist can take you on a journey as you discover the world together. The best albums stay with you, and you can always return to them, just like old friends," Styles said, before listing off the eight albums nominated for Album of the Year and ultimately announcing Bad Bunny's DeBÍ TiRAR MáS FOToS as the year's big winner.

See the full list of winners and nominees from the 2026 Grammys.

Watch highlights and exclusive Grammys content from the 2026 Grammys all year long.

"I'm so happy to see such a wide variety of voices and styles here," iconic singer/songwriter Carole King said before presenting the Grammy for Song Of The Year during the 2026 Grammys last night. More than ever before, the telecast painted a picture of music as an integrated art form, where every inch of the musical spectrum can coexist harmoniously.

As such, this year's Grammys offered plenty of thrills for all viewers, from the Afro-Caribbean manifesto of Bad Bunny to the post-modern hip-hop of Kendrick Lamar to the pop buoyancy of Sabrina Carpenter.

Here are 10 must-watch moments from one of the most memorable editions of Music's Biggest Night.

Sabrina Carpenter Has a Healthy Sense of Humor — And Impeccable Timing

There's nothing quite like a grand, exuberant musical production to kick off Grammy night, and Sabrina Carpenter delivered that iconic set piece. The pop star pulled out all the stops with a vintage-airport-themed rendition of her smash hit "Manchild," complete with a dozen or more beautifully choreographed dancers and a live dove. The timing of every moment was flawless, and Carpenter — dressed as a pilot in a white outfit with a matching cap — beamed with the infectious charisma of a woman born for this kind of massive pop spectacle. This was the kind of performance that set the perfect tone for the extravaganza of Grammy Sunday and established demand for a real Sabrina Carpenter Airline.

Hip-Hop Continues To Encapsulate The Essence Of Contemporary Culture

Hip-hop occupied a place of honor in this year's edition. Kendrick Lamar won five Grammys, taking him to 27 total Grammy wins and establishing him as the rapper with the most Grammys ever. Tyler, the Creator delivered a spectacular performance, which featured a car crash, an exploding gas station, and a guest appearance by beloved actress Regina King. Clipse, Pharrell Williams and Voices of Fire triple-teamed for a rousing performance of "So Far Ahead," a highlight off their Grammy-nominated album Let God Sort Em Out.

Another unforgettable moment occurred when Pharrell accepted the Dr. Dre Global Impact Award and acknowledged the tremendous influence that both A Tribe Called Quest's Q-Tip, who presented the award, and Dre had on his career. "I've never stopped studying," Williams declared, clearly moved to address both legendary rappers in his acceptance speech.

The Next Wave Of Pop Glitters Even Brighter

Anyone harboring concerns about the future of pop music surely came away from the evening instantly reassured, even just from the medley of performances from the eight nominees in the Best New Artist Category alone. From the brash girl group throwback of KATSEYE's "Gnarly" to the soulful traditionalism of Olivia Dean's "Man I Need," the tactile glam of Addison Rae's "Fame Is A Gun" to the slinky soul of Leon Thomas' "Mutt," the class of 2026 showed an enviable command of multiple styles. And in her acceptance speech for the Best New Artist Grammy, Dean proved unafraid to step into a big moment, showing impressive poise and seizing the moment to underscore that she is the granddaughter of an immigrant and to encourage peace and community.

Justin Bieber Reveals More Of His Vulnerable Side

Justin Bieber performs onstage during the 2026 Grammys on Feb. 1, at Crypto.com Arena in Los Angeles, California | Photo: Kevin Winter/Getty Images for The Recording Academy

Stripped down to his boxer shorts and socks, Justin Bieber's rendition of the R&B-flavored "YUKON" felt almost like an anti-performance — and also produced one of the evening's most intimate moments. The Canadian superstar performed solo against a bare backdrop, creating loops of electric guitar and digital percussion before performing the song's lyrics with ragged intensity. The effect was hypnotic, and oddly compelling, and the camera's frequent panning to wife Hailey Bieber's adoring attention reaffirmed the deep-seated emotionality.

Music Has The Power To Change Lives

Jelly Roll delivered an acceptance speech for the ages after winning the Best Contemporary Country Album Grammy for the aptly titled Beautifully Broken. Thanking his wife Alisa for helping him to turn his life around, the 41-year-old singer/songwriter admitted that there was a time in his life when he was broken — sitting in a six-by-eight-foot cell with a Bible and a portable radio as his only companions. "I believed that music had the power to change my life, and God had the power to change my life," he said. Clearly, they did.

Lady Gaga Makes Real Magic

Lady Gaga performs onstage during the 2026 Grammys on Feb. 1 at Crypto.com Arena in Los Angeles, California | Photo: John Shearer/Getty Images for The Recording Academy

It's difficult to categorize "Abracadabra," a meta-electro hit from Lady Gaga's Mayhem that combines imperial Euro-disco grandeur, acid techno, a subterranean dash of alternative rock, and even a bit of Siouxsie and the Banshees. But on the stage, all of those calculations faded away, Gaga reminding us why she's a singular voice in the pop world. The superstar amped up the voltage on a delirious rendition of the song, her birdcage helmet and stark black-and-red dress seemingly straight out of a Terry Gilliam movie. Whether dancing wildly or bending over a synthesizer for an extra helping of distortion, Gaga remains one of dance pop's bravest explorers, and this segment added fire to her own lore.

The Golden Tenets Of Soul And Funk Will Never Go Out Of Style

From Silk Sonic to 24K Magic, retro goodness has always defined Bruno Mars' work. But "I Just Might," the single from his upcoming fourth album, may have just elevated that vintage glory to new heights and produced one of the telecast's most infectious moments. Backed by a red-and-white-clad backing band of sublimely smooth musicians and set against a gigantic glowing heart backdrop, Mars evoked the sparkly visuals of the "Soul Train" era, the vintage spirit of Stax, '70s disco and funk, and the timeless cool of Motown, all while remaining effortlessly himself.

Time May Pass, But The Sounds Remain

Each year feels as if we're mourning more and deeper losses in the music world. Fittingly, this year's In Memoriam segment became a majestic celebration of songs that will remain forever etched in our souls. It began with a lovely take on "Trailblazer" led by Reba McEntire joined by Brandy Clark and Lukas Nelson. Post Malone — alongside a rock supergroup featuring Andrew Watt, Chad Smith, Duff McKagan, and Slash — channeled his Ozzy Osbourne power through the anti-war Black Sabbath anthem "War Pigs." Finally, a tribute to the magic of D'Angelo and Roberta Flack starred the inimitable Ms. Lauryn Hill, surrounded by many illustrious guests ranging from Raphael Saadiq and Bilal to Leon Bridges and John Legend, not to mention a Fugees reunion when Wyclef Jean joined in for a breathtaking rendition of "Killing Me Softly."

Bad Bunny Finds Vindication — And Advocates Boricua Pride

With an upcoming Super Bowl halftime performance and six nominations to his name, it was clear that all eyes were on Bad Bunny last night — as they frequently are, considering he's one of the biggest pop stars on the planet today. On Grammy Sunday, his magnum opus Debí Tirar Más Fotos — a masterful love letter to the plena and salsa roots of his native Puerto Rico — became the first all-Spanish-language album to win the Grammy for Album Of The Year since the Category was instituted in 1959. It also became the first album to win the Album Of The Year Category at both the Grammy Awards and the Latin Grammy Awards.

Music Is Political By Nature

At a time when the United States — and, truly, the world at large — is facing immense turmoil, many Grammy winners took the opportunity to use the platform and face the moment. "Ice out," a steely-eyed Bad Bunny said after winning the Grammy for Best Música Urbana Album. "We're not savages, we're not animals, we're not aliens. We are humans. We are Americans." Billie Eilish has never been one to shy away from speaking out, and added her own affirmation: "No one is illegal on stolen land," she offered while receiving the Song Of The Year Grammy for "WILDFLOWER." And while accepting the Record Of The Year Grammy for "luther," her track with Kendrick Lamar, SZA offered a rallying cry. "Please don't fall into despair," she pleaded. "We are not governed by the government — we're governed by God." And if the crowd in the Crypto.com Arena is any indication, musicians will continue to have the capacity to bring people together and make real change.